We've traced the rectangle from the right hand side of the layout onto the first page of the journal, using a light box. What next?
I would love for this rugged looking journal to have a formal feel inside, but not too formal. I decided to make it look like a more contemporary version of an illuminated book. I decided to use a watercolor sketch of my new favorite wildflower, and to have it break through the rectangle, for a contemporary look. I'll also plan to use watercolor, because I love splashing paint around, and this Ingres paper can take it.
The next step is to draw a flower sketch in pencil. I decide to use an arrangement of grass leaves next to the flower that is a bit Art Nouveau and decorative, rather than realistic.
And then it's time to splash paint.
On the side, you can see a test strip. It's always a good idea to test your paints on the paper that you will be using, as each paper reacts differently. I like to collage these in, or use them as a bookmark, by adding perle cotton to the top.
There is more to do before this page is done. Stay tuned!
Wednesday, July 29, 2015
Thursday, July 23, 2015
Starting a New Journal
Opening a new journal and staring at a blank white page, with many other blank white pages behind it, can be an intimidating feeling.
Over the next few weeks, I'll share some ideas on how to get started. Remember, these are just ideas. Your journal is just that... yours! If you have a gut feeling about how you want to proceed, go for it. Don't worry about messing up. Worry and fear will make you freeze, leaving you with blank pages and an empty book, which is not what we want. Keep in mind you can always slice out the first page with a hobby knife if you really don't like it.
We'll start with that very first page. What are you going to do with it? I admit, with almost 30 years of nature journaling under my belt, I've only just begun to think about page design. In the past, my journals were just resources, field notes that I took to give me something to go from for more finished work, or a record of beautiful days spent outdoors. Very few people ever looked in my field journals. Now, I find that the world of art blogging and sketching is encouraging me to think about sharing these sketches, which means they have to communicate something to others, not just to me. And they should look good on the page, ideally.
So, with that in mind, I'm going to share the process of designing pages for a few new journals. We'll start with my Prairie Journal, housed in the Lewis and Clark-inspired journal that I wrote about a while back.
The journal has a rugged look. I thought it would be a very interesting contrast to have a more formal interior. With that in mind, I turned to Dubay and Getty's Italic Letters book for instructions on how to lay out a Canon page design. This is the design used in the late Middle Ages to the beginning of the Renaissance, and it has a wonderful feel to it. There is something indescribably beautiful, I think, about the way this page layout looks.
Notice the geometry? That's probably why I love it.
I traced the text area in red ink to make it easier to see. The next step was to place it on a light box, with the first page of my journal over the right hand side of the layout.
Next time, we'll look at how to get started after tracing the rectangle.
Over the next few weeks, I'll share some ideas on how to get started. Remember, these are just ideas. Your journal is just that... yours! If you have a gut feeling about how you want to proceed, go for it. Don't worry about messing up. Worry and fear will make you freeze, leaving you with blank pages and an empty book, which is not what we want. Keep in mind you can always slice out the first page with a hobby knife if you really don't like it.
We'll start with that very first page. What are you going to do with it? I admit, with almost 30 years of nature journaling under my belt, I've only just begun to think about page design. In the past, my journals were just resources, field notes that I took to give me something to go from for more finished work, or a record of beautiful days spent outdoors. Very few people ever looked in my field journals. Now, I find that the world of art blogging and sketching is encouraging me to think about sharing these sketches, which means they have to communicate something to others, not just to me. And they should look good on the page, ideally.
So, with that in mind, I'm going to share the process of designing pages for a few new journals. We'll start with my Prairie Journal, housed in the Lewis and Clark-inspired journal that I wrote about a while back.
The journal has a rugged look. I thought it would be a very interesting contrast to have a more formal interior. With that in mind, I turned to Dubay and Getty's Italic Letters book for instructions on how to lay out a Canon page design. This is the design used in the late Middle Ages to the beginning of the Renaissance, and it has a wonderful feel to it. There is something indescribably beautiful, I think, about the way this page layout looks.
Notice the geometry? That's probably why I love it.
I traced the text area in red ink to make it easier to see. The next step was to place it on a light box, with the first page of my journal over the right hand side of the layout.
Next time, we'll look at how to get started after tracing the rectangle.
Thursday, July 16, 2015
Wildflower!
I found the wildflower I was searching for: the purple prairie clover, Dalea purpurea! For more about where I found it, and the other flowers that were flowering on the prairie today, see my other blog, NE Digital Daybook.
I will be using this flower as a theme in my artwork, since I now live in a prairie state. I chose a clover as a connection to my Irish ancestors, who were also once strangers far from home. And I chose this specific clover because the color is so beautiful. Local guidebooks also mention the strength of its stems. So how could I not love beauty, strength, and symbolism all in one flower? But wait, there's more! It was collected by Meriwether Lewis, too!
I set out today with a sketchbook and camera, but when I broke out the sketchbook, I was swarmed by black flies. I remember reading somewhere that Lewis and Clark complained about them. Anyhow, it became a photography-only trip. I will have to work from my photos, and the mental notes I took about the plants to paint them. So much for plein air sketching!
Have a beautiful evening. The fireflies are everywhere here!
I will be using this flower as a theme in my artwork, since I now live in a prairie state. I chose a clover as a connection to my Irish ancestors, who were also once strangers far from home. And I chose this specific clover because the color is so beautiful. Local guidebooks also mention the strength of its stems. So how could I not love beauty, strength, and symbolism all in one flower? But wait, there's more! It was collected by Meriwether Lewis, too!
I set out today with a sketchbook and camera, but when I broke out the sketchbook, I was swarmed by black flies. I remember reading somewhere that Lewis and Clark complained about them. Anyhow, it became a photography-only trip. I will have to work from my photos, and the mental notes I took about the plants to paint them. So much for plein air sketching!
Have a beautiful evening. The fireflies are everywhere here!
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