Pen, ink, and watercolor trials

The past couple of weeks have been a time to reevaluate my artwork, decide what is working, what is not, and, therefore, what I want to change. It's all part of a New Year's assessment, and a commitment to myself to draw more frequently.

A new sketchbook purchase didn't work out as well as I had hoped. The multimedia paper did not absorb enough of my fountain pen ink to prevent smudging (though it was great with Microns). I think I am going to end up back with my tried-and-true sketchpads that I've used since my college days.

Here are some images of the trial-and-error process. When you see pretty sketches in a book or online, you don't usually see all of the preliminary testing that allows an artist to draw in a certain style. Every component is a variable, and must be tested together in various combinations. For me, my variables are: sketch paper, type of ink or pencil, pen nib width, and watercolor.

In this picture, you can see my favorite way to test materials. I draw a little clover flower, which allows me to see how much tiny detail I am capable of getting, and then various lines and squiggles. I then wash over the lines with water or watercolors to see what happens. On the right hand page, I included some pens that I knew were not waterproof (like the Flair), as a reference. Sometimes I like the look that these pens produce.

In this picture, you can see some of my favorite fountain pens. From left to right is a Pilot Kakuno, a Lamy Safari, and a Pilot Metropolitan. I have other favorites, too. These are just the ones that found their way into the photo because they are so colorful. The Metropolitan pen is loaded with Herbin Orange ink that matches the barrel color almost exactly, and smells absolutely heavenly... it's scented like orange blossoms. This is my new favorite for notetaking.

I think I've settled on the Kakuno for when I need a lot of detail. The Fine nib does produce a very fine line, as you can see in all of the mosquito drawings on the page (click to enlarge). The mosquitoes are a bit of a joke. The Kakuno's packaging is entirely in Japanese. I took a photo of the instruction page, plugged it into a language translator, and was told that it was a fountain pen of mosquitoes! Pretty funny. There must be a subtle nuance of interpretation of one of the kanji. One of these days, I need to learn Japanese.

The Lamy is my favorite for general sketching. I seem to get a lot of line variety with it. On this paper, the Sailor Nano black ink doesn't smear too much.

That's an inside peek at the beginning of my New Year materials testing. I'm also testing different brands of acrylics, and water-soluble oils. More on those later!

Time for art!

Today was a lovely day spent with family. In addition, I had time to spread a bit of acrylic texture around on a few canvases to get them ready for painting. Opening up jars of paint and holding a palette knife or paintbrush brings me great joy.

I love that beat up old brush. It gives me textures that I can't get with a new one. The canvases on the left were gessoed. The one on the right has been spread with acrylic texture medium to prepare it for painting.

My paintings are taking many days of prep work, lately. It is a little difficult to hold on to the spark of delight that led me to want to paint each scene to begin with. I guess I've been spoiled by my acrylic paints. Oil painters deal with this all the time, unless they only paint alla prima.


I also had a chance to do a bit of sketching today. In my Christmas stocking was a Lamy Safari pen, so I have been trying it out. I am able to get a bit of variation in my lines, which was not the case with my fiber tipped and technical pens. I'm going to load it with a more water-resistant ink and see if I like it combined with watercolor. I've never been an ink/watercolor sketcher before (always preferred the softness of pencil!), but ink shows up better when you are sharing sketches online, so I'm giving it a try. And I love the raspberry color of my new pen!

New Year's Book

The weather has definitely started to act more like winter in Nebraska. I have heard about various methods of keeping water-based paints in liquid form when out painting snow scenes, but I guess I am not that dedicated. Maybe sketching from the comfort of a warm car is still an option. Or I need to find the fingerless gloves I bought in the Smoky Mountains years ago on a very cold camping and painting trip. Anyhow, in the meantime, I suppose it's time to dust off those indoor art projects I came up with in the fall.

 One project was a New Year's resolution book. Do you make New Year's resolutions? Do you look back on them and see if you have accomplished any at the end of the year? One pleasant surprise I had last week was in rereading my 2015 resolutions, and discovering that I had actually accomplished some. I didn't think I had accomplished much at all, so it was a great surprise. Of course, not everything was done, so some have been bumped to 2016's list. That's ok. I aim high, and readjust if necessary. Some of the goals couldn't be reached in a year, and I didn't realize that. We need to be kind to ourselves with these resolutions, and sometimes things really are not within our control. But it is good to take the time to reevaluate our lives and our hopes and dreams.

In any case, I found a book form in Alisa Golden's Making Handmade Books called an accordion book with flower fold pages. I thought it would make a nice book for my 2016 resolutions, so I modified it. I had gouache from a calligraphy project sitting out on the worktable, so that was thrown in, too, though it didn't give the effect on the branches that I get with sumi ink or watercolor. The red for the berries, however, was as bright as I'd hoped.

The resolutions are written inside of the flower fold pages, which are glued inside of the accordion.

I am praying for a beautiful and inspiring year for my family, and for everyone who reads this. May 2016 be a year of peace and joy for you and yours!