Surprise Lilies

A previous owner of our home planted these beautiful Surprise Lilies. At least, I've always called them Surprise Lilies. I've also seen them called Resurrection Lilies, and Magic Lilies. Gardeners have always had regionally popular names for some flowers. This is why scientific names, in this case, Lycoris squamigera, are important. In any case, the foliage is long gone on these plants. For weeks now, I've had a withered brown mess of dead leaves. But I knew what was coming.

They smell lovely, and the colors are stunning! This morning, it was 69 degrees, so I was out taking pictures and enjoying the cool weather.

Close up...

These lovely flowers hail from Japan. They are in the amaryllis family, one of my long-time favorites.

Aren't they beautiful? And the young buds have a deeper color. The artist in me is mulling over what colors of paint would mix to produce this deep rosy-lavender. Quinacridone rose? Ultramarine violet? Permanent mauve?

More young flowers...

The only creature that didn't seem to appreciate the cooler temperatures was this bee on some goldenrod in the garden bed. It was moving very slowly.

I'm going to be doing some work on this blog over the next few weeks. I'm planning to highlight more plants and flowers, as I transition back to nature writing. I'll still be visiting art topics, and that will continue to have a botany and nature focus, as always. Thank you for visiting!

Studio Colors

The past few weeks have been busy, and one big, pleasant diversion has been the question of what color to paint the walls of my art studio. I've narrowed it down to a grey-green or a creamy white, based on both my subject matter (primarily natural subjects) and north-facing lighting, filtered by a large tree.

Both colors make me happy, frankly. And I am considering painting one wall a neutral grey, so that I will have an additional backdrop against which to view the artwork. A whole room in neutral grey would be too difficult for me to work in during the winter. It would feel too cold!

Do you have a favorite wall color for your studio? Feel free to share it with me!

Experiments

I am working on a special project that will require some black and white artwork. Because I love textures so much, I decided to start exploring a graphite rubbing technique which has the feel of childhood art projects.

It is very tactile. I love the relaxing feel of using graphite this way. I was curious whether other dry media would respond as well, so I started to experiment.

These are some of my experiments using charcoal, conte, Sumi ink, water-soluble graphite, colored pencil, and chunks of graphite. The seeds are silver maple keys.

I really liked the vine charcoal. It looks smoky, as you can see in the middle of the above photo.

In the end, I chose colored pencil and graphite mixed together. It is not a straight rubbing technique, since I manipulated the image quite a bit after doing the rubbing, strengthening vein lines and outside edges and adding shadows. I think it retains the textural look.

 

Stretching

Today was the kind of cold, rainy, grey day that forces you to stay indoors, even if you are anxious to go outside.

Fortunately, as the days get longer, my indoor plants are responding with flowers.

For a while now, I have been trying to decide how to move forward with sharing more of my drawings. Pencil drawing comes naturally to me. When I pick up a pencil, I am not thinking about how the tip will respond on the paper, or how the line will look. I just know... from many years of practice.

But pencil is difficult to reproduce. If I want to share natural history drawings, pen is a much better choice, even though I think the look of pencil is more lifelike.

So I've been playing around with pen drawings. I am stretching into territory I don't want to enter, really. But art that is real involves some risk. Sometimes you have to just try it.

Today, stuck inside, I picked up the Lamy pen that has been giving me headaches. I have been struggling with it, wishing I had a technical pen (which is on my list to try next, because I think it will be much more suited to my style!). The problem is not with the pen. It is with my tendency to press hard on the nib... with predictably disastrous results when you are discussing fountain pens! But today, somehow, I managed to lighten up a bit. I even managed to get a blind contour drawing of my African Violets done without feeling as though I had unleashed a squid full of ink at the paper.

I'm using a very dark brown ink by Sailor in the pen. I still don't care for stark black; my eyes rebel while I am drawing if I use that on white paper. Interestingly, when I spilled a bit of this ink, the color was bluish black. The stains on my fingers were black. But the ink is definitely a dark brown, a sepia to be more precise.

It is water-soluble, so I have more options to explore.

All in all, not a bad rainy day project. And I am still exploring reductive drawing, and enjoying it very much. More on that to come.

Snow Day and Materials Testing

The sun came out today! Even though it is still cold outside, the Groundhog Day Storm is over.

I made sure to soak up the rays. The warmth felt good!

Plates of orange-buttermilk scones welcomed my family when they finished shoveling out. Lots of coffee and tea, too.

I am finding my graphite watersoluble pencils, in combination with a travel sized waterbrush, to be indispensable items for my sketch kit. As I work with them more and more, I am really drawn to the range of values I can achieve, in spite of the water. Also, it gives a painterly look to my value studies. Here is one I tried today:

On the right is a hawk that I see frequently at Fontenelle Nature Center. I omitted his cage from the sketch. He is injured, and I think he cannot be released into the wild. But he is stunningly beautiful. (So is his next door neighbor, the Barred Owl). This is a quick value study I did from a photo I took last week.

On the left is a previous composition sketch of cattails in a snowbank.

The new raptor exhibit out there is looking great. I can't wait for it to open.

Dodecahedron

As a supplement to their math textbook, my high school students are working from Thomas Hull's Project Origami. We are using his PHiZZ units to produce geometric objects. To show them how the units lock together, I made this dodecahedron out of wrapping paper scraps I had at home. I am thrilled with how it came out! The colors kept reminding me of something from childhood, and I finally remembered that these are the colors of the wallpaper of my room when I was little.

This is a beautiful object to hold and turn. I can't help it; I am going to build the buckyball structure next. The students are planning to build something even bigger.

More Studio Tests

More materials testing! I've decided to devote all of January to testing materials, since I have developed some new interests.

I have always loved tonal drawings. Leonardo's sfumato is something that I hope, one day, to be able to achieve in my own drawings. With this in mind, I picked up a block of olive green Derwent XL graphite to see what it could do. I liked it so much with the pear subject that I think I will go back and get the rest of the colors!

It is hard to show in a reduced size picture what this looks like in person. It's very moody, very smoky. I like it a lot!

Here is another set of testing. Quite a boring page, but I'm including it because it shows some of the playing around with materials that I do before I settle on a way of working. On the left, I drew a block of green, and sprayed it with water. It didn't budge, so I then dropped water on in large droplets. Nah. Didn't work. Then, I tried a color block with drops of  isopropyl alcohol- something I use frequently in my watercolor and acrylic paintings. Still no movement, so that was abandoned. Then, I dipped a brush in water and dragged it over the block and attempted to paint with it. It was hard to get anything to show up- quite unlike my watersoluble graphite pencils. I abandoned this idea, too.

The next test was drawing a small landscape, just like I did with the pear. This was better. The detail was lost in the photo, though, so I'm not including it here.

I think I liked the graphite block best for the still life of the pear. But I really, really liked it for that!!! I am going to try a few more experiments with different papers. I think I also preferred the sketch paper I used for the pear to the drawing paper used for the landscape.

I'll be posting more testing throughout the month of January. Thank you for reading, and stay warm!

Pen, ink, and watercolor trials

The past couple of weeks have been a time to reevaluate my artwork, decide what is working, what is not, and, therefore, what I want to change. It's all part of a New Year's assessment, and a commitment to myself to draw more frequently.

A new sketchbook purchase didn't work out as well as I had hoped. The multimedia paper did not absorb enough of my fountain pen ink to prevent smudging (though it was great with Microns). I think I am going to end up back with my tried-and-true sketchpads that I've used since my college days.

Here are some images of the trial-and-error process. When you see pretty sketches in a book or online, you don't usually see all of the preliminary testing that allows an artist to draw in a certain style. Every component is a variable, and must be tested together in various combinations. For me, my variables are: sketch paper, type of ink or pencil, pen nib width, and watercolor.

In this picture, you can see my favorite way to test materials. I draw a little clover flower, which allows me to see how much tiny detail I am capable of getting, and then various lines and squiggles. I then wash over the lines with water or watercolors to see what happens. On the right hand page, I included some pens that I knew were not waterproof (like the Flair), as a reference. Sometimes I like the look that these pens produce.

In this picture, you can see some of my favorite fountain pens. From left to right is a Pilot Kakuno, a Lamy Safari, and a Pilot Metropolitan. I have other favorites, too. These are just the ones that found their way into the photo because they are so colorful. The Metropolitan pen is loaded with Herbin Orange ink that matches the barrel color almost exactly, and smells absolutely heavenly... it's scented like orange blossoms. This is my new favorite for notetaking.

I think I've settled on the Kakuno for when I need a lot of detail. The Fine nib does produce a very fine line, as you can see in all of the mosquito drawings on the page (click to enlarge). The mosquitoes are a bit of a joke. The Kakuno's packaging is entirely in Japanese. I took a photo of the instruction page, plugged it into a language translator, and was told that it was a fountain pen of mosquitoes! Pretty funny. There must be a subtle nuance of interpretation of one of the kanji. One of these days, I need to learn Japanese.

The Lamy is my favorite for general sketching. I seem to get a lot of line variety with it. On this paper, the Sailor Nano black ink doesn't smear too much.

That's an inside peek at the beginning of my New Year materials testing. I'm also testing different brands of acrylics, and water-soluble oils. More on those later!

Time for art!

Today was a lovely day spent with family. In addition, I had time to spread a bit of acrylic texture around on a few canvases to get them ready for painting. Opening up jars of paint and holding a palette knife or paintbrush brings me great joy.

I love that beat up old brush. It gives me textures that I can't get with a new one. The canvases on the left were gessoed. The one on the right has been spread with acrylic texture medium to prepare it for painting.

My paintings are taking many days of prep work, lately. It is a little difficult to hold on to the spark of delight that led me to want to paint each scene to begin with. I guess I've been spoiled by my acrylic paints. Oil painters deal with this all the time, unless they only paint alla prima.


I also had a chance to do a bit of sketching today. In my Christmas stocking was a Lamy Safari pen, so I have been trying it out. I am able to get a bit of variation in my lines, which was not the case with my fiber tipped and technical pens. I'm going to load it with a more water-resistant ink and see if I like it combined with watercolor. I've never been an ink/watercolor sketcher before (always preferred the softness of pencil!), but ink shows up better when you are sharing sketches online, so I'm giving it a try. And I love the raspberry color of my new pen!